The Cannon’s Breath

The Seven Years War

by Kevin Kiley, USA

By the beginning of the Seven Years War (1756-1763) in Europe, the Valliere artillery system was obsolete, surpassed by both the Prussian and Austrian artillery. [15]

In short, the French artillery performance in the Seven Years War was dismal, and Gribeauval, having seen and tested both the Prussian and Austrian pieces was determined to give his country the best possible artillery system in Europe.

Gribeauval probably started to work on his new artillery system while still in Austria during his tenure there. [16]

What he wanted to design was a simple system of light, accurate field pieces that would emphasise mobility and hitting power. He had a partner in his endeavours, the French ambassador to Vienna, later to become the Minister of War in 1761, the Duc de Choiseul. Choiseul was more than interested in updating France’s obsolescent artillery arm, and had written to the king on the subject. Familiar with Gribeauval, and his technical expertise in artillery because of his service in Austria, he and Gribeauval started to plan on implementing Gribeauval’s ideas upon the latter’s return to France.

Gribeauval was undoubtedly chosen for the task of revamping the French army’s artillery by Choiseul [17] because he had ‘a perfect knowledge in the art of Artillery’, to which was ‘joined the most complete experience in the alterations which had been made by the Austrians and Prussians, since he had commanded that of the former during several campaigns, and had always that of the latter to oppose.’

Gribeauval wrote to Choiseul on 3 March 1762 outlining his new system, as well as its purpose. [18] One paragraph from that correspondence is most telling in what Gribeauval wanted to do:

    ‘Our [Austrian] artillery here has a great effect in battle because of its large numbers; it has advantages over that of France, as does the French over it. An enlightened man without passion who understood the [relevant] details and had sufficient credit to cut straight to the truth, would find in these two artilleries the means to compose a single one which would win almost every battle in the field. But ignorance, vanity, and jealousy always intervene: it is the devil’s work and cannot be changed as easily as a suit of clothes; it costs too much; and one runs a great danger if one is not sure of success’.

However, there was one, very large, problem facing both Choiseul and Gribeauval: Joseph Florent de Valliere, fils, son of the originator of the Valliere artillery system and the current Director-General of the Artillery.

Valliere had supported Gribeauval in his technical endeavours before leaving for Austria in 1757. It was he who had approved and accepted for service Gribeauval’s innovative garrison gun carriage in 1748. However, now that he saw the work of his father threatened, he no longer supported his protégé, but opposed him and his entire proposal.

The debate between the two artillery systems was long and bitter. Gribeauval officially tested his new field guns at Strasbourg in 1764, and their performance was just as good as the longer, older, heavier Valliere gun tubes. The French artillery arm divided itself into two factions: the rouges who supported Valliere and the bleus who supported Gribeauval. [19]

However, the successful testing at Strasbourg, coupled with Gribeauval’s support in the War Ministry were decisive, and the new system was officially adopted by the French army, replacing the older Valliere gun tubes, on 13 August 1765. [20]

Gribeauval kept the calibre’s of the Valliere system, 4-, 8-, and 12-pounders, for his field artillery, but the new gun tubes were greatly reduced by size and weight. [21]

He had all three gun tubes at 18 calibre’s length, and they were cast at 150 pounds of metal per pound of roundshot. In contrast, the Prussian gun tubes were 14 calibre’s in length and had 100 pounds of metal per pound of roundshot, and the Austrian pieces were 16 calibre’s in length and 120 pounds of metal per pound of roundshot. [22]

For the French pieces, this was a great reduction in both length and weight, and Gribeauval wanted the heavier metal to round ratio as the guns would last longer, being able to fire more rounds (thus extending the life of the gun tube) compared to both the Prussian and Austrian pieces. This would pay dividends later once the shooting started in 1792. [23]

One of Gribeauval’s collaborators was the Swiss gun founder, Jean Maritz, whose family had been in French employ for decades and who ‘dominated French cannon production’ [24] in the middle of the 18th century. The Maritz family ran the foundries at Lyon, Douai, and Strasbourg.

His development of the horizontal boring machine, where the gun was rotated around a central boring mechanism after the gun tube had been cast solid, greatly aided the accuracy of the piece and also placed the gun tubes to a central standard of manufacture.

Previously each gun tube had been cast around a central core, and then bored out with a rotating vertical bore. This led to inaccuracy in constructing the bore along the central axis of the gun tube. Maritz ingenious machine solved that problem. Interestingly, the French navy had bought the Maritz machine before the army did. Gun tubes were now constructed and bored with mathematical precision to a level unheard of before this time.

After gun tubes were cast and bored, they were both checked for faults in the metal and ‘proofed’ by test firing. If the test firing was successful, and there were different standards at different times for proofing the gun tubes, they were put into service.

Testing the gun tube for casting faults was usually done in the arsenals with a tool called a ‘cat’ or a searcher, which was inaccurate at best. Gribeauval invented a new ‘cat’ called the etoile mobile, which was quite modern in appearance, and was accurate in finding casting faults, such as honeycombing. It was the direct ancestor of the modern pullover gauge that is used for the same purpose today.

Gribeauval’s reforms touched every facet of the French artillery arm and were the most comprehensive done in any army up to that date, including the Lichtenstein reforms of the Austrian artillery of the 1740s. Not only were the gun tubes redesigned and tested, but tables of construction were tabulated and published for gun carriages, limbers, caissons, field forges, and the other ancillary artillery vehicles (which included the hacquets and pontoons for bridging operations). [25]

Templates were issued and sent to all of the French armouries for standardisation of manufacture and parts interchangeability. What was designed and implemented was a completely integrated artillery system which would support the new type of warfare envisioned by the French Reformers such as Guibert, the du Teils, de Broglie, and Gribeauval.

Measurements for all the ancillary vehicles, limbers, and gun carriages were painstakingly accurate, and the tolerance for all parts constructed for them down to 1/50th of an inch. Although all of the technical drawings for the new system were completed by 1767, they were not published by Captain Jacques-Charles Manson, who was in charge of the manufacture and assembly of the gun carriages and ancillary vehicles in the arsenal at Strasbourg, until 1792-three years after Gribeauval’s death. [26]

The Tables de construction des principauz attirails de l’artillerie proposes ou approves depuis 1764jusque en 1789 par M. Gribeauval was originally limited to 104 copies by the king and was treated as a classified document. Gribeauval’s papers and designs had earlier been published by a Danish artillery officer, Captain Henri Othon de Scheel [27] in his two-volume Memoires d’Artillerie, which found its way into American service, translated by Jonathan Williams in 1800.

Gribeauval completely redesigned the gun carriages for another reason. His gun tubes were longer and more powerful that the comparative Prussian and Austrian ones. Therefore, he initially had the same problem with recoil that Gonzales had in 1679.

Therefore he designed his gun carriages to take the force of the recoil not only to the rear, but retarded that so that the carriage would absorb some of the recoil downward. This left the guns’ recoil within acceptable parameters. [28]

Parts were interchangeable within the ‘three calibre’s’, even down to the nuts and bolts used to put the equipment together. The 8- and 12-pounders used a Lichtenstein innovation, two sets of trunnion plates on the carriage, one set for the gun tube to ‘travel’ and the other set for firing. To change the gun tube from travelling to firing plates took no longer that it did to unlimber the piece. [29]

Windage, the space inside the bore between the round and the walls of the gun tube was reduced to half the tolerance of the Lichtenstein system, greatly improving accuracy. This was ensured by three pieces of equipment.

For years, there was a gauge used to measure the roundshot to ensure it would fit inside the gun tube. This ‘go gauge’ was now complimented with a ‘no go gauge’ which set a lower tolerance, or limit, on the roundshot manufactured for each of the ‘three calibers’. [30]

Further, to ensure that there were no casting imperfections on the outside of the round, Gribeauval had each roundshot tested before issue and firing by having it roll through a metal tube, set to the tolerances of the ‘go’ and ‘no go’ gauges, to ensure the rounds went through cleanly.

Aiming the piece, termed ‘pointing’ during the period, was greatly improved by the introduction of the elevating screw, a fixed front sight, and an adjustable rear sight that was attached to the breech and could remain on the gun tube while firing.

The elevating screw was attached to a wooden plate, and when the screw was raised or lowered, the plate elevated or depressed the gun tube. The fixed front sight was sometimes coated with phosphorous for night firing. These three pieces of equipment, simple to use and manufacture, gave French gunners an immense advantage over their counterparts in other armies.

The Gribeauval pieces could be emplaced, ‘pointed’ and fired quicker than their potential enemies, especially on subsequent rounds after the company opened fire. This added to the reduction in windage made the Gribeauval pieces the most accurate of the period, except perhaps for the new British pieces that were introduced in the late eighteenth century with a block, instead of a bracket or split, trail and the elevating screw attached to the cascabel knob instead of an elevating plate.

Gribeauval had each of his field pieces (‘the three calibre’s’) constructed with accommodation for two trail handspikes instead of the usual one in both the Prussian and Austrian systems. This facilitated movement of the ‘man team’ with bricoles in that two cannoneers manned the trail to lift if for movement.

The pieces were so well-balanced that when the trail had to be adjusted when the piece was pointed, however, one man would man both handspikes to adjust the piece at the gunner’s direction.

To facilitate the tactical movement of the piece, Gribeauval introduced two pieces of equipment that were simple, efficient, and easy to use. The first, the bricole, [31] was a length of rope attached to a leather strap worn over the gunner’s shoulder like a crossbelt. At the end of the rope was a metal hook. The bricole was used to manhandle the piece, each cannoneer attaching their hook to corresponding hooks on the gun carriage, and they manoeuvred their piece as a ‘man team.’

The prolonge was a length of rope 40 feet long that was attached to the limber on one end and the trail of the piece at the other. It allowed the piece to be pulled by the horse team and limber when not ‘limbered up’ and greatly facilitated movement through rough terrain.

The ends of the gun trails were designed to use the prolonge, and unlike any gun carriages previously that had squared off trails, the Gribeauval gun carriages had trails that resembled sleds for the field pieces. When attached to the prolonge and retiring with the horse team and limber, the piece could still be fired. One knowledgeable artilleryman of a later period, Ildefonse Fave believed that if Gribeauval had merely developed the prolonge, he would have been ‘guaranteed’…’ a lasting place in the history of warfare.’

Further improvements implemented by Gribeauval were the iron axle and the screw in vent, both of which greatly facilitated maintenance of the piece and vehicles, as well as making them, in the case of the axle, much more sturdy on campaign.

All was not smooth sailing for Gribeauval and his new artillery system, however. Choiseul was replaced in 1772 as Minister of War by Monteynard. He favoured Valliere’s system for France, and for two years the full implementation of the Gribeauval System was put on hold.

Finally, the Ordinance of 3 October 1774 was published, prompted by a committee of four French marshals who saw the advantages of the new system over the old.

Upon Valliere fils’ death in 1776, Gribeauval became the Inspector-General of Artillery and the implementation of the new artillery system was permanently realized. [32]

Initially, the Valliere pieces were retained as siege and garrison artillery. Later, when most of the furore had died down between Valliere fils and Gribeauval, new siege and fortress pieces were designed, and the implementation of Gribeauval’s garrison carriage from 1748 was done. Work was also done on the various calibres of mortars until the system was complete.

Howitzers had been introduced into the French artillery in 1749. However, it was a siege, and not a field, piece. Gribeauval introduced the howitzer into the French field artillery, one of 6-inches. Initially, it was modeled on the Austrian equivalent, down to the screw quoin, but later one of his own design replaced it, and the elevating screw was incorporated into the design.

The Gribeauval guns and equipment were taken to North America in 1780 with Rochambeau’s expeditionary force and were employed in the siege of Yorktown in September-October 1781. Hammering the British en-trenchments with all of the professional skill, French gunners played a decisive part, as did Gribeauval’s new artillery system, in making Washington a conqueror.

Gribeauval also improved the artillery’s uniforms, changing the traditional red breeches for dark blue to match the habit, and modernising it. Further, organisational reforms into companies and regiments regularised artillery units for both administration and combat. Although artillerymen were still trained to serve all of the ordnance in the French inventory, they were also assigned guns by type to serve permanently on campaign.

A ‘division’ of six guns and two howitzers was habitually assigned to each company of foot artillery. This made the artillery companies more cohesive and improved their combat effectiveness.

Gribeauval also tackled the education system for French artillerymen. A new curriculum was implemented, consisting of a two-year course emphasising theoretical knowledge and practical application. Laplace was the new artillery examiner, and course content consisted of mathematical drawing, optics, tactics, geography, algebra, geometry, calculus, mechanics, physics, chemistry, ballistics, and ‘applied mathematics’. Mathematics was combined with mechanical drawing, and artillery equipment was drawn ‘exactitude and care’ to be exact and accurate. [33]

The new artillery officers were expected to be experts in their field, and Napoleon, an outstanding product of one of these artillery schools, stated that

    ‘If there is no one to make gunpowder for cannon, I can fabricate it; gun carriages, I know how to construct. If it is necessary to cast cannon, I can cast them; if it is necessary to teach the details of drill, I can do that.’

Artillery non-commissioned officers were also now expected to ‘hit the books’ and a school was established for them by Gribeauval.

Less emphasis was put on theoretical learning and more on practical, but it was a very large step in putting the artillery arm on a more professional footing. The Ecoles des Sergents was a success and it enhanced the professional skill of the arm. The curriculum consisted of mathematics, technical drawing, practical geometry, basic physics, and ‘measuring distances with instruments’. [34]

An interesting facet of the artillery schools is that there were no issued textbooks. The students took detailed notes, from prepared lectures, problems, and mechanical drawings of the instructors, those notes being their text as the courses progressed. A unique way to teach and learn, one that was obviously effective.


The Cannon’s Breath Jean-Baptiste Vaquette de Gribeauval and the Development of the French Artillery Arm: 1763-1789


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